Thursday, July 24, 2008

Morehouse College and Atlanta Symphony First Staged Scott Joplin's Opera “Treemonisha”


[Scott Joplin's Treemonisha; Original Cast Recording; Polygram 435709 (1992)]

The Scott Joplin page at AfriClassical.com tells of the 1975 production of Joplin's opera, Treemonisha, by the Houston Grand Opera, as orchestrated by Gunther Schuller. A visitor to the website has informed us that the work was first staged in 1972 by Morehouse College and the Atlanta Symphony. The following two paragraphs have been added to the Scott Joplin page:
Treemonisha
In 1911 Joplin published the opera Treemonisha. The work was said to contain some of his best music. One theater agreed to produce it, but later reneged. Treemonisha was first staged in a concert performance in Atlanta, Georgia by the Afro-American Music Workshop of Morehouse College and the Atlanta Symphony under Robert Shaw, conductor. Dr. Dominique-René de Lerma recalls: “The Atlanta production ran for two consecutive nights to full (and mixed) houses in late January 1972. This was the original version via T.J. Anderson.” The choreographer and stage director was the famed African American dancer Katherine Dunham. Uzee Brown, Jr. made his operatic debut in the role of Parson Alltalk.

Review
On January 30, 1972 The New York Times published a review by Harold C. Schonberg: “In writing 'Treemonisha' - the libretto was his own – Joplin clearly intended to author a social as well as musical document. He set up the forces of ignorance and superstition against liberalism and education represented by a young lady named Treemonisha.” “Morehouse College, aided by a Rockefeller grant, gave 'Treemonisha' an ambitious performance. Thomas J. Anderson, a visiting professor at the college, orchestrated the opera in a style that follows the one example of Joplin's orchestration that has come down to us.” The opera concludes with 'A Real Slow Drag.' Schonberg writes: “This slow drag is amazing. Harmonically enchanting, full of the tensions of an entire race, rhythmically catching, it refuses to leave the mind. Talk about soul music!” The opera's professional premiere is generally considered to have been the 1975 production of the Houston Grand Opera, for which Gunther Schuller produced the orchestration. The music can be heard on an original cast recording, Polygram 435709 (1992).





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